- #HOT SHOTS PART DEUX ACTION BRONSON PROFESSIONAL#
- #HOT SHOTS PART DEUX ACTION BRONSON TV#
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The phrase “It’s me” never sounded so palpable.īronson by himself excels at one vague yet important element of album-crafting that his label must have failed to understand: lateral cohesion. Bronson delivers his bars in the same stream-of-consciousness manner, with consistent short bursts of vivid imagery. The beats, if those producer names aren’t indicative enough, are great. Knwxledge produced three tracks, and Samiyam produced one.
#HOT SHOTS PART DEUX ACTION BRONSON TV#
The title track features the live recorded work of the Special Victims Unit, his former TV show’s house band, as filtered through the production tools of Daringer. Bronson raps over samples of guitar-based music, crafted into beats by common collaborators such as Harry Fraud and Party Supplies. The labels helped extend his career without over-saturating, just in time for him to return now to another more prolific streak as an independent artist.Įven though Bronson seems to want White Bronco to be perceived as looser and freer than his most recent releases, it actually serves as a more cohesive embodiment of his sound and style than any other album in his discography. Limiting the amount of music Bronson released could have, however, paradoxically worked to the rapper’s advantage. Wonderful to carry itself as a front-to-back traditional “debut” studio LP, and thinking Blue Chips 7000 would build upon the mixtape-era energy he possessed during the recording of the series’ two previous installments. The label’s main missteps with Bronson were trimming down the level of “me” that Bronson put out into the world, expecting Mr.
That’s why his favorite refrain, concise yet explanatory, has always been relevant and obvious on all of his projects: “It’s me.” Only a Queens-born-and-bred, husky and overconfident chef with Albanian heritage could rap the way Bronson does. Throughout his tenure at the labels, he maintained his distinct personality and DIY aesthetic.
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It sounds that way because that’s what Bronson wanted us to hear, but also because he delivered on his promise.īronson’s breaking free of contractual obligations didn’t change him as much as it might have other artists, because his entering into the deals didn’t alter him much in the first place. White Bronco, consequently, sounds like an album devoid of unnecessary outside influence. He even painted his new album art himself.
#HOT SHOTS PART DEUX ACTION BRONSON PROFESSIONAL#
Before the album came out, he also ended his professional relationship with Vice, publicly accusing the company of under-appreciating and undervaluing him.Īlthough his major label albums weren’t bad and Vice seemed to mesh well with Bronson’s personality and entertainment industry ambitions, his total shedding of contractual obligations in conjunction with the release of a new independent project indicates that he at least believes himself to be entering a new era of refreshed productivity. It could never have been anything but a return to his independent roots. Will Hagle‘s haircut is like Dominican folk art.īy announcing the album in the same tweet he declared his freedom from Atlantic Records, Action Bronson established White Bronco’s defining narrative before listeners had a chance to contextualize it themselves. Any donation is immensely appreciated: passionweiss
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